The problem with progress

I feel like I’m hearing a lot about progress recently, and not just from “Progress 8.” More and more, our dialogue about education seems infused with progress – first there was “progress within a lesson,” now, progress over time. And what’s not to like? Clearly, the children in our care should be moving on, and improving day to day, year upon year.

And once I think I would have welcomed this: our focus on the C/D borderline, driven by league tables and a desperate need to stay afloat with budgets tied to student numbers, seemed to ignore both the top and the lowest achievers.

Or did it? In the fortunate position of working in small schools, in my experience we’ve always focused on pushing every child, even the lowest achievers, over the C-threshhold that will undeniably open more doors to them. I’ve written about how in my school 95% of students walked away with a C or above in English Language – and that my biggest regret is the 5% we didn’t get, when I knew it was possible. In my previous school, that figure was 98% last year – I wish someone would write more about that! (Caroline, Lizzie… I’m looking at you!) Moreover, the top were not left to languish; in my new school’s last year 11 cohort 35% achieved A or A* grades.

My problem with progress is not concerned with the top achievers. Any measure forcing schools to also stretch those with high prior attainment seems sensible. My problem with progress is when turning an F into an E carries the same incentives as turning it into a higher benchmark.

Cognitively speaking, I can’t find evidence that any child is not capable of achieving a C in English; all I can find evidence of is that they’re not capable yet. Some students need more time; through a variety of factors, whether that be poor attendance (so often linked to other social issues) or being in the early stages of learning English, or else labeling with any of the various acronyms denoting their ‘difficulties’ with learning. All this tells me is that they need more time, more attention, more intervention. And we need higher expectations.

Too often, students coming into secondary school with low prior attainment are victims of a social system which engrains disadvantage and ensures a cycle of poverty, and of an educational system not yet advanced enough to work through those gaps in their learning. The problem with progress, for me, is the potential there is to further engrain this problem, so that we end up fulfilling the low expectations society has had for certain children from birth.

I’m not sure I can ascribe to a system where an equivalent D represents a good thing. I’m tired of people telling me “that’s a huge achievement for that student,” because it might be, but we can do better; they can do better. We need to have bigger ambitions of our own ability to transform the life chances of every single child; not just the borderline children, of all children. In the new 9 to 1 system, I need to know what represents the ticket to the future, so I can ensure all students achieve it.

We don’t have to look far to see schools which are coming close to ensuring that all their students have access to any life they could desire; King Solomon Academy in London has used high expectations and epic amounts of work to secure useful outcomes for almost every student in their care. Then, of course, there are America’s high performing Charter Schools which send every child to university.

The problem with progress is when it comes with a lack of an end game. It is the kind of word which makes it acceptable for professionals to say: “we can’t change society/the welfare system/the class system/the parents” – when in fact we can change the outcome, and overturn the whole.

Teaching tough texts in a world of “Twilight”

Last week, I outlined my experience at TLT and the fantastic sessions I attended. This week, I’ll outline my own session and some of the thoughts others shared.

I opened by exploring the idea of “rigour”: this seems to be one of a few educational buzz-words du jour. With the new “reformed” GCSEs in English, in particular, we are being forced to do away with such “non-rigorous” texts as Of Mice and Men (about which I have written before) in favour of more rigorous texts – which seem to be defined as nineteenth century, English composed ones. With tougher vocabulary. Along with this new rigour comes a new balance of language and literature; with progress 8 double-weighting the qualifications, no longer will schools prioritise language – a joy to English teachers everywhere.

At KS3, though, we might be mindful of balancing rigour with freedom and, dare I say, fun. Without ever losing sight of the qualifications we need to prepare students for, we also might wish to think about ways to engage and delight students in tough texts. I shared my own school’s current KS3 curriculum, with an unapologetic literary focus: we teach language through literature, and there are no “writing to inform” units or “media exploration” studies. Yet with such a tough curriculum comes a caveat: I don’t want my students to be passive recipients of literature, but rather literary critics.

Next, I shared one of my year 7’s paragraphs on poetry:

H lovely parag

Although this was meant to be an analytical essay, I couldn’t help but be proud of her. She really seemed to have engaged with the purpose and importance of poetry, even though this wasn’t something I’d ever explored with the class. Such engagement, I hope, will stand her in good stead for the tough qualifications she has ahead of her.

I didn’t want to denigrate Twilight, a book I actually really, really loved (and have written about it here), and used this as a springboard to explore personal reading. Noting the Matthew Effect (the word rich are often set to become word richer; the word poor poorer) I feel we, as English teachers, have an obligation to close the gap in our students’ experiences of literature. I cited the reading assemblies I have shared before on this blog as examples of my quest for students to take up the gauntlet of personal reading, and referred to Donalyn Miller’s The Book Whisperer and some of the ideas I’ve explored before here. While Miller’s entire curriculum revolves around personal reading, how much should we be taking from this idea? How central should personal reading be in our practice? This formed the start of our conversations in the session, and I was interested to hear the thoughts of the lovely attendees and their fabulous ideas.

One mentioned some students simply don’t know how to pick a book, and explained her students tended to look at the books without even handling them, and then said “I can’t find something” – she had to model flicking through and reading the blurb for them.

Chris Hildrew mentioned his school had set up a “media frenzy” around some high quality texts, leading to students picking these up, reading them and discussing them in the way they had The Fault in Our Stars in response to the worldwide media attention this book has drawn.

In order to create literary critics though, we need more than just readers. I explored what makes a text suitable to teach, and shared some strategies I’ve used in the past for making these texts accessible. I then asked attendees to think of a student they were struggling to engage with reading and/or literary criticism, and formulate a plan of action for engaging that student. Some excellent ideas arose from this, many of which I will be taking and trialling myself – so thank you!

Once again, I will say that I had a fantastic time at TLT. During this last week of term, I have been more full of hope and energy than ever before of that particular week, and it can only be as a result of that day of meeting, sharing, learning.

Teaching tough texts in a world of Twilight

TLT

Immersed in the insularity of a new job in a new school last year, TLT13 passed me by. The first awareness of it for me was seeing exciting looking tweets and blogs on and after the day, when clearly it was too late to join in. This year, though, I was determined to be on it – which made me feel even more delighted to be asked to present something as part of the literacy strand.

A train journey with a dear friend and past colleague provided me with plentiful food for education thought, and by the time we arrived at Southampton I was already percolating a “things I would like to be better at” mental list, which overflowed as the day went on.

Tom Sherrington

Creeping into the lecture theatre, only slightly late, I was relieved not to have missed Tom Sherrington’s opening. He spoke passionately about leading a new school, this time a large comprehensive, and noted pleasingly that what applies in a grammar school applies “even more” there; he also remarked that the extent to which expectations can be low is amazing. Candidly referring to teaching his year 8 class as “feeling like someone who has just done a 10K run with no training,” he went on to explain that teaching is really rather straightforward (not easy; never easy – but definitely straightforward): know what you are trying to teach – the key concepts, the objective; and keep the pitch high: never lose sight of the top end, while bringing the other children with you. He showed his famous tweet: “if there was no OfSTED, no SLT… just you and your class… what would you choose to do to make it great? Do that anyway.” He clarified at this point that he did not mean there should be no accountability; rather that if what you are doing in your classroom is amazing and it is working, no-one will mind.

Referring to the new behaviour system being rolled out in his school, he noted that for classroom teaching to have its desired impact, the culture and systems first have to be in place: without these, all else is meaningless. Too much teacher time, otherwise, is spent controlling behaviour and not teaching. (Incidentally, I remember a friend of mine moving to teach in a private school where lessons were 35 minutes long. I asked her how she got through the curriculum, and she replied “well, no-one misbehaves, so the lessons don’t feel that short.”) Tom went on to explain that children need to feel confusion and struggle in their learning: if they are getting everything right, the lesson is not challenging enough.  Tom also remarked that his school had scrapped levels on reports, saying he “can’t justify another 6b meaning nothing.” He noted they will fill this vacuum with something better, and I can’t wait to see what that might be.

Kev Bartle

My first session of the day began with a clip of some rather peculiar, red-haired, 80s looking woman singing. I had long suspected it, but I then knew how completely amazing Kev must be, both as teacher and headteacher. His session made close reference to the OfSTED clarification for schools document, and he began by noting his annoyance that many SLTs aren’t yet getting it right with OfSTED: when they are doing things “with OfSTED in mind”, it is often the OfSTED of five or eight years ago. Opening with the wise words: “there is no such thing as progress within lessons. There is only learning”, he was scathing on the preponderance of mini-plenaries and other such AfL strategies reduced to progress-prop gimmicks.

On lesson grading, Kev noted that even if you observe a main-scale teacher for 30 minutes six times a year (this is approximately five times more than I have ever been observed in a year), that still represents only 0.4% of the teaching that teacher will do over the year. Referring to the policy exchange report “Watching the Watchmen”, he reminded us that OfSTED inspectors can see the same lesson and give it every one of the four arbitrary grades.

On lesson observations, he asked why SLT “who teach the least” should be the ones to lead on teaching. While I agree that a top-down approach to observation is not favourable, I can’t help but look at the SLT in my own school which contains some of its strongest practitioners, and my line manager (deputy head) who remains one of the best teachers I have ever seen in action. Kev went on to explain why learning walks and book looks were also a waste of time if done in a top-down fashion; better practice, he suggested, was to have a department look through books together and discuss each other’s practice. Of “data trawls”, less is more: in Kev’s school, they enter data for year 11, 12 and 13 only twice a year; this ensures the data is reliable and robust, and not the product of an over-tired teacher putting in any old thing every half term.

Kev had strong words to say about consistency: teaching is about humans – messy, uncontrollable humans; we need to open ourselves up to uncertainty, and mystery. He put forward an alternative set of ideas on how a school might be run, largely built on trust, and assuming the best of people.

Chris Hildrew

I was so excited to finally meet Chris in person, having long admired his blog, but first I had to be bowled over by his phenomenal talk. Chris was speaking about progress and assessment within a “Growth Mindset” school. With the dynamism of a Mr Keating, children-on-desks educator, he told us we had to begin by thinking of the “X kids” – the “mutant kids who can do it.” We had to consider the students who had most excelled in our subjects, and what they had that we could replicate in schools.

Immediately, the pastoral implications of this jumped out: no-one really believes children are naturally Shakespeare; rather, they have self-esteem and self-belief, along with the self-awareness to know how to change and develop into better students. Achievement and mindset go hand in hand.

Importantly, growth mindset must not become reductive; a tick-box on a lesson plan or a resource sheet. Rather it must become embedded at a whole-school level, as Chris has written so eloquently about in his blog.

Along with this, we need to build demand and a high level of challenge into our curriculum, knowing where we want our students to get to and then plotting how to arrive there. Chris spoke of asking subject leaders to tap into their core moral purpose: why should students study their subject? And with that in mind, bend the (very flexible) National Curriculum to that purpose.

Echoing what Tom Sherrington had said, teachers saying students have “nothing to improve” clearly need to set the challenge bar higher; what more could they read; what more do to broaden their knowledge? Chris also outlined his school’s method of tracking progress, which looks very exciting, and I can’t wait to hear more about it.

Chris Curtis

Like everyone I had heard speak so far in the day, I longed to be a student in Chris Curtis’s classroom. His opening salvo: “how is writing an essay like going on a date?” immediately made the room buzz with activity and excitement. He noted we are often busy moulding the next journalists, and not academic writers; something to be mindful of with the advent of the new GCSEs. Proclaiming “death to the PEE format,” he showed us something much better: point and then development. Using the fantastic resource below, he guided us through how to develop an idea, and gave us plenty to take away into our own classrooms.

Leadership

Having trained with Teach First, I felt like I had heard enough about “leadership” to last me a lifetime. Prior to moving into a role as Head of Department last September, I thought I knew much on the subject – I could parrot, for example, the line about the difference between leadership and management; I could recite the vignette about the boss seeing where his people were heading so he could lead them.

But there’s a world of difference between knowing the shorthand and actually being an effective leader. Having heard the depressing line: “if you’re telling me to do it, I’ll do it,” I knew I needed help. I resolved to attack the problem the only way I know how: by reading all the books.

Of course, this is not the only way, and a lot of what I learned did not come from books. I’ll write soon about what I feel leadership is, at this uncertain moment of new enlightenment, but for now, here are some of the best leadership reads.

Leverege Leadership

The first book on leadership I read, this was perhaps pitched too far from my world of middle-dom; but nonetheless I gleaned some useful insights here, not least the resounding message that the key is focusing on great teaching. Bambrick-Santoyo lays out the ideal of principal as “instructional leader” and some examples of how this might work in practice. There’s a helpful distillation of data-driven leadership, as well as plenty on culture and vision.

Switch

Here’s the essence of Switch: people know a lot, but are still mostly driven by their emotions. To make people change (or, in my case, specifically change to wanting to follow you) you have to engage their emotions and activate their trust. The book sets out strategies for making people want to follow you, and steps for pushing positive change through.

 

Leadership Plain and Simple

The amazing Jill Berry recommended this book, and it could easily be the only leadership book you have to read. Amazingly straightforward, the book turns on the assumption that leadership means: engaging others in your vision of the future, and the plan you have to get there, and then delivering that plan. It is fuzzy on delivery, but that’s probably because delivery will be massively varied in different scenarios.

Leading in a Culture of Change

Although this book does contain some grating “management newspeak” (such as “simplexity” – definitely not a word), it is written clearly (useful for the midnight reading sessions of a first-year wannabe leader) and is full of awareness of the wrong turnings a potential manager/leader might take, as well as balancing concepts of confidence and humility.

How to be an Amazing Middle Leader

This is one of those “does what it says on the tin” books, and is a great primer for someone new to middle leadership. Occasionally over-specific, it enumerates tasks and activities you might do to hone your vision and create your action plan. Probably one to read the holiday before taking up a post.

Mindset

I am aware this is not a book on leadership, but if there is one thing I know for sure about leadership it is that it is all about your core values. You have to know what drives you as a human, and how that translates to what you are doing in your job. I’ve written before on Mindset but suffice it to repeat: I believe in the uncapped potential of every single child without any exception to succeed, and believe it is my job to create the conditions for success.

Finally, leadership in a school context is perhaps best served by the many wonderful bloggers out there. Stuart Lock is one of the most generous, encouraging and humble senior leaders I have met, and writes plenty that is both heartfelt and sensible on schools. Keven Bartle, a new headteacher, has written copious amounts of genius words on leadership at all levels. We are all waiting for Jill Berry, an ex-head and fantastic speaker, to begin her blog – in the meantime, she says many wise words on Twitter. Finally, Mary Myatt is a school inspector and writes with clarity on all issues Ofsted – always helpful.

Stanley Wells at the Globe

Every English graduate in the world has heard of Stanley Wells, if only for his “Complete Oxford Shakespeare” we were all encouraged to purchase prior to first year. Having been blown away by James Shapiro months earlier, I was keen to enjoy another of the Globe’s “Shakespeare at 450” lectures.

Introduced by the Globe’s education director, Patrick Spottiswoode, as a man who has chosen to “dedicate his life to serving Shakespeare” as well, hyperbolically perhaps but no less entertainingly, as “Shakespeare’s ambassador on earth,” Wells shirked all aplomb with a pithy: “you’re so plosive,” in response.

The topic of the lecture was a run through of the greatest Shakespearean actors (“from Burbage to Brannagh,” as the trailed book will be named). The joy of a great academic is that, though I hadn’t initially thought this was of interest, Wells made it of interest; his talk encompassed so much more than this.

Quoting Laurence Olivier, who as you might expect made a number of appearances in the talk, Wells explained he had limited his exploration to stage actors, rather than film as: “film is the director’s medium, television the writer’s, and stage the actor’s.”

On “colourblind” and “gender blind” productions, of which there is a long theatrical history, Wells posited that the heightened style of Shakespeare’s poetic drama allows greater diversity of interpretation: if the audience is prepared to accept actors talking in verse, they are more likely to accept other differences.

According to Wells, great Shakespearean actors manipulate their bodies and their voices. Olivier was especially noted for seeking to allow the external presentation to reveal the inner, such as his “false face” when playing Macbeth (we were told his wife, Vivien Leigh, had commented of the intensely thick make-up: “first you hear Macbeth’s line, then Larry’s make-up comes on, then Banquo comes on, then Larry comes on”). They also allow for an emotional distance while playing – they need to inhabit the character, but also be half-aware of the responses of the audience to ensure they do not speak over laughter or applause, for example. He cited plentiful examples in Shakespeare of actors giving acting advice; Hamlet most notably, but also Coriolanus (when overcome with passion he cries: “like a dull actor now, I have forgot my part”). Great actors can project their understanding and inhabitance of the inner life of the character with every expression and every articulation.

The chief take-away point in my view was that, although the playwright provides the material, the actors “achieve a different reality” with every performance. They recreate Shakespeare nightly, each time rebuilding an intricate and original representation.

More and more, I worry I am not qualified to teach my year 13 students. As a sixth former myself, I remember being moved in English lessons by the enormity of ideas discussed; I remember knowing that literature was without doubt the centre of the world; I remember being exposed to new words and new ideas daily. Years of practice training students to pass (often poorly created, unchallenging) exams has not made me a great teacher of the A-level. I wonder if I am alone in considering that if only more such academic lectures were available for English teachers to attend, we could re-engage with the critical community, and find our joy, passion and all-fulfilling reason in literature again.

It takes a village

In the last week and a half, I’ve gone home twice. This is unusual for me, as generally I’m a terrible daughter. I let myself be swept up by all-consuming London.

Leafy Suffolk is caught between Summer and Autumn. I’ve carried my coat on many trains. And I’m caught between the old and the new; in my fifth year of living in this city, which often feels like Suffolk’s antithesis.

On Monday, I went to my dear Aunt Josie’s funeral. She wasn’t too old, and I think we were all a little shocked to be sitting there, listening to her brother’s moving words. He described her life. Born in the village, Josie grew up in the village, married a man from the next village over, and convinced him to live in her village with her. They lived there together, across three different houses, for all the 37 years of their marriage. (That day, every time my Uncle said “my wife,” my heart broke.) Josie worked in the village, mainly as a cleaner in the school and in others’ homes, raised her only son in the village, and four years ago tragically laid rest to him in that same church she had married in; that same church I sat in and listened to the words describing her life.

“Why are they making such a fuss?” we were told Josie would be thinking, as we wept and comforted each other in a warm-cold church. We were reminded of her love and warmth; always a cup of tea and a slice of Victoria sponge for whoever called to the door. Always welcoming, interested, full of love. The church burst with bodies, disbelieving that we had lost a soul so full of kindness and care for all of us.

I don’t go home much, but when I do I see Aunts and Uncles I haven’t seen in up to ten years sometimes. They never berate me; never make me feel the guilt I should; they hug me, kiss me, and tell me they are proud of me.

I am proud of them. Leaving the village has been the path of my last ten years, but the village raised me, as it raised Josie, and the village will not forget me, as it will not forget her.

It has been ten years since I left school. The “ten year reunion” was something that filled me with both excitement and dread, and it came the same week as Josie’s funeral.

The oddly familiar faces of Saturday seemed many worlds from the world of Monday. Retracing the steps of our shared childhoods, old annoyances seemed suddenly sharper; old fondnesses equally so. I remembered, as we all might have, the person I was, along with the person I pretended to be – the one who might even have belonged in that cocoon of private school privilege, the prize I so luckily won in an age of assisted places.

I might not ever reconcile the disparate parts of experience that have made me; I might always feel a tension between the world I have come from, which envelopes me without hesitation in my darkest moments, and the world which formed me as part of my education. It takes a village of experience to raise a child; we cannot excuse our influences, and nor should we feel we have to.

More Reading Lists

Meeting my classes for this year for the first time, I was reminded more than ever of the great and pressing need for children to read.

I’m becoming more convinced of the power of sheer enthusiasm to move children to action. On giving the reading list below to my year 11, one student said: “Miss, can you read it out and talk about the books? It makes us want to read them more.” It was partly unfortunate, and partly brilliant, that their head of year walked in just as I was explaining Holly Golightly’s real job. A book containing taboos and crossed boundaries will be readily sought.

Year 10 needed little less convincing. They are a designated “extra English” group (they have more lessons of both Maths and English a week, having been chosen from their end of year 9 levels), and so are very small. They don’t feel “extra”; but they do feel urgent – yet they have started year 10 with the right mindset and I truly hope this continues. The very lesson after my book list talk, a third had not only taken their list books from the library, they were proudly putting them on their desks for the duration of the lesson lest the opportunity to read arose (they have not yet realised it rarely does).

Year 9 may prove more challenging. Again, an “extra English” group, there are far more of them; they are a “normal sized” class (if such a thing can be said to exist). At times, they felt like a mounting wave of apathy towards reading. Not particularly boisterous, they simply haven’t yet grasped the urgency of their need to read. Paragraphs are littered with “nice”, “ok,” and “gotta.” I’ve taken to packing them up five minutes before the end to read to them from a book I have loved, but so far they seem unmoved. I will wear them down.

A few people have mentioned that the lists are helpful, and in this continued hope to help I reproduce a couple here, in the wording exactly as has been given to the students.

*   *   *

Year 11: books you absolutely must read to take your mind off the impending doom of the hardest year of your academic lives

 

Truman Capote: Breakfast at Tiffany’s

In under 100 pages, this book explores the life of a New York woman who lives in an unpredictable way, and who expresses her dreams beautifully.

J.D. Salinger: Catcher in the Rye

Have you ever felt angry? Unhappy? Well, your suffering is nothing in comparison to Holden Caulfield, the angriest, unhappiest human in literature (probably).

William Golding: Lord of the Flies

A plane crash leaves a group of boys stranded on a desert island. In making their own “rules”, disastrous consequences ensue.

Henrik Ibsen: A Doll’s House

This is a play (so very, very short) about a woman trapped in an unfulfilling marriage, remembering she still has a mind.

Arthur Miller: The Crucible

Another play: this one explores a group of girls living in a stifling, controlling society. Once they realise how they can achieve power, all hell breaks loose… Literally.

Nick Hornby: About a Boy

A man invents a son, which brings him into a new circle of friends. Key themes include: falling in love, battling hardship, and a Christmas song that won’t die.

John Steinbeck: The Grapes of Wrath

If you enjoyed “Of Mice and Men” you will love this novel – longer, more painful, more tragic even than George and Lennie.

Jane Austen: Pride and Prejudice

Whatever your preconceptions of Austen, this book is simply hilarious. A (romantic) comedy of manners, including the worst proposal of marriage you will ever read.

Leo Tolstoy: Anna Karenina

I think you’re ready for the powerful and life-changing emotional charge of Tolstoy, and where better to start than a beautiful but troubled young lady?

Christopher Marlowe: Dr Faustus

Faustus wants to be more intelligent (don’t we all?) so he conjures the devil (as you do) and sells his soul for a few years of high-jinks. What could possibly go wrong?

Philip Roth: The Human Stain

Despite being completely hilarious, this book deals with (and challenges) the notion of “race” and our ideas about it.

F. Scott Fitzgerald: Tender is the Night

No book will ever match Fitzgerald’s masterpiece, The Great Gatsby, but this novel follows a failing marriage and fascination with a young girl… And is scarily similar to Fitzgerald’s own life. (Read Gatsby first though. You won’t regret it.)

Raymond Carver: Will you please be quiet please?

Carver’s short stories, some fewer than ten pages long, paint interesting and troubling images, and show insight into our souls.

Erich Maria Remarque: All Quiet on the Western Front

A depiction of World War I told from the German perspective. Powerful and extraordinary.

Walt Whitman: Song of Myself

Why not, if you’re a great poet, write a poem all about YOU? Whitman did, and it is brilliant.

Alex Garland: The Beach

A group of tourists create the perfect world on a beach in Thailand. What could possibly go wrong? (Spoiler: everything. This book is horrifying.)

Graham Greene: The Quiet American

A journalist living overseas becomes entangled in a knot of love and politics.

Ian Fleming: Casino Royale

Like the Bond films? Read a Bond book.

Sebastian Faulks: Engleby

Welcome to the mind of an increasingly concerning individual. Enter, marvel, leave in horror.

Ian McEwan: Atonement

A well-told story, full of misunderstandings caused by children knowing too little.

Truman Capote: In Cold Blood

A book following murderers through their lives, and their experiences facing the death penalty. Based on a true story.

*   *   *

Year 13 reading list:

 

Useful for your exam:

Bram Stoker: Dracula

The original vampire novel. Think about how women are represented though, and what them becoming a vampire might be a metaphor for…

 

Samuel Taylor Coleridge: “The Rime of the Ancient Mariner”

A poem, but one which will darken your soul. Truly terrifying. And what does it mean? (Please tell me.)

Matthew Lewis: The Monk

This has been called an exaggeration of every Gothic trope imaginable. It is, but it is also very entertaining, and a little disgusting.

 

Edgar Allen Poe: “The Tell-Tale Heart”

A very, very, very short story but well worth reading. Dark and psychological gothic text.

Robert Lewis Stevenson: “Strange Case of Dr. Jekyll and Mr. Hyde”

Most useful companion to Frankenstein, and less than 100 pages. Can you see the links?

Useful for your soul:

Oscar Wilde: The Picture of Dorian Gray

A man wishes to never be old and to always be beautiful. This wish is granted. What could possibly go wrong? (Hint: lots.)

 

Colum McCann: Let the Great World Spin

The intertwined stories of various New Yorkers, under the shadow of a man walking a tight-rope between two sky-scrapers.

 

David Lodge: The Art of Fiction

Great ideas on literature. When you finish, you can read one of Lodge’s (hilarious) novels to learn more about university life.

 

Donna Tartt: The Secret History

Don’t get your ideas about university life from this book, but this one will stay with you a long time.

 

Dave Eggers: The Circle

An oddly familiar internet company and its quest for making information freely available starts to feel a little like Orwell’s 1984.

 

Margaret Atwood: The Edible Woman

One woman’s quest to find herself. Amusing but important also.

 

Chinua Achebe: Things Fall Apart

Exploration of the impact on native inhabitants of Western “do-gooders.”

Research Ed 2014

There’s a kind of brutality about holding an education conference on the first Saturday of the first week of term. Last year, I had just begun a new job in a new school, and I remember half sleeping through a session in the afternoon before calling it a day early. Whole months blurred by thereafter. Not so this year.

John Tomsett, Alex Quigley, Rob Coe, Stuart Kime

My day opened with a session in the stunningly be-windowed Old School Hall with some helpful thoughts on research in a school setting. Tomsett noted that working in a school was not about research vs. evidence, but about the two taken together. He remarked that his school development plan consisted of only two aspects: 1. Improve the quality of teaching and 2. I missed, possibly distracted by the countless humans attempting to enter a room clearly squished to capacity. Quigley explained we need to move beyond guesswork, but that this was hard as schools are always changing – both internally, and externally due to political implications. As well as piloting a series of RCTs, Quigley’s aim is to put research in the hands of teachers, giving them time to look at and understand it. Coe and Kime relayed the challenges and expressed the need for robust evaluation. I admire what they’re doing, and am excited to see what the outcome is.

Dylan Wiliam

The creator of AfL was my next session. Wiliam began by reassuring teachers in the room that doctors do not always follow the evidence, with apparently 40% of GPs prescribing antibiotics where they know it will have no impact, i.e. for viral infections; to make patients feel better. Education research was, he explained, “messy.” Wiliam ran through the issues of RCTs, which essentially boil down to: you can’t control what humans say or do at every (any?) moment in time. The most helpful take-aways for me were his comments on the EEF’s teacher toolkit, which ranks interventions against the cost and the “effect size.” He noted that this only reflects how these interventions are currently used, and not their potential; if setting has an adverse effect on students (minus one month in learning), this could also reflect schools’ tendencies to place the best teachers with the C/D borderline classes, and neglect the higher and lower achieving classes. Wiliam said the best teachers need to be with the students who need them the most; students who need to go furtherst. I can’t help but agree wholeheartedly. Feedback, which ranks very highly for effect size, can, when poor, make things worse for children. Research of this kind can only measure outcomes; we really need to drill down into practice as a next step.

Philippa Cordingley

Cordingley spoke of her study into Teach First schools (which are, by definition, schools which are low achieving in exam results and/or serving economically deprived communities), and what made some schools “Exceptional.” In terms of exceptional, she explained many were “Ofsted Outstanding”, and others achieved more than 75% A*-C (including English and Maths) at GCSE level. I think it is worth bullet pointing the practices of exceptional schools, as explained in the session:

  • All teachers took responsibility for their own CPD and sought to improve
  • Teachers had deep expertise and knowledge of the curriculum, and saw this as more important than improving their pedagogy
  • Coaching/mentoring was incredibly structured and formal
  • There was a structured learning environment for teachers in improving their practice
  • Leaders in the school were aware of modeling themselves as learners rather than experts
  • They invested in teacher education
  • They had a single model of pedagogy which was clear to all teachers, and which all teachers bought into, and there was a shared understanding of what made fantastic teaching and learning
  • Performance management was rigorous, resulting in some persistent underperformers leaving and the other previously underperforming teachers improving
  • They were interested in working with the community
  • They worked hard to involve parents
  • Rather than focusing on behaviour, their focus was on improving teaching and learning; behaviour often improved after the teaching
  • Department meetings were where teachers talked about teaching
  • Teaching and learning practices were underpinned by theory and research

This might reflect my own confirmation bias, because all of the above sounds sensible, but the other findings sound a little muddy to me: group work was used more in exceptional school, except for in MFL lessons. More interactive learning methods (games, puzzles, websites) were used in the exceptional schools in all lessons – except English, where lessons were more traditional. I can’t quite square this data, and I began to wonder about how much of the research we could take at face value, given the small sample size. Nonetheless, some helpful ideas.

Michael Cladingbowl

The Director of Schools for Ofsted seems an affable chap, calm and pleasant. By no means an evil devil ogre. He spoke sensibly of Ofsted’s overall mission: to improve schools’ improvement, as per its statutary duty. He reminded us of the not-so-distant past, where 2.3 million children were in “mediocre” schools, which had often been that way for generations. He also remarked that “he history of inspection [was] littered with the corpses of those who have tried to do too much.” Clearly, much needs to change with the inspectorate, but in trying to do all things they may well succeed in none. He referenced the false dichotomy between knowledge and skills, noting “a sensible teacher does a bit of both.” Previously an English teacher, Cladingbowl was well aware of the power of language: the language of Osted, he remarked, had too often seemed to be the language of “warfare”. I greatly approved of his suggestion to view it instead as a “dance”, as I think that definitely sounds more fun. He noted that inspection must be designed to inspire curiosity and not compliance; teachers and indeed schools cannot be afraid to take risks. He hinted of the bright future, coming to a school near you soon (September 2015), where inspection would provide clearer evidence to parents, and inspectors would be solely contracted and trained by Ofsted. He mentioned that eventually (and there was a vagueness about the time period of this eventuality) there would be less focus on grades, and a change to thinking about whether a school is good enough, as well as “telling the story” about the data, answering the question: “why are the outcomes of this school as they are?”

Tom Sherrington

I was very excited to hear Tom Sherrington speak, as I’ve been an avid reader of his blog, where you can in fact read his overview of this session. Sherrington dug deep into several key areas of research, usefully glossing works as he went. He began with Hattie’s on homework: although the overall effect size seems small at 0.29 (0.4 is apparently the level at which an intervention has a meaningful impact), on closer inspection this is an average of the primary school impact (0.15) and the secondary, 0.64; so in fact, homework can be an extremely effective lever for student achievement. Later, Sherrington emphasised that we must take care that results are not just the average of extremes. He also warned that when research is presented as a “digest”, “soundbite” or “headline”, it can lead to bad decisions: the detail is crucial. He went on to mention Bjork on memory, considering that students retain more knowledge when their learning is spaced or interleaved. The implication for schools, he went on, is that they need to consider how much weight to place on this evidence: especially as this could lead to a complete re-working of the curriculum, we need to be sure. He then explored two pieces of research, and explained the pitfalls and drawbacks of each, reconfirming what William had said earlier about the messiness of education research, and dealing with humans in general. Although overtly aware of his own confirmation bias, I liked what Sherrington said, because I probably have the same bias. He referenced a rule in his new school about “green pens”, and noted that is we are to make certain pedagogy practices “law”, we have to have evidence and a degree of certainty in its efficacy to achieve the buy-in of teachers. The essential message: don’t take anything on face value: interrogate the detail.

New year’s resolutions

Every August I make New Year’s resolutions for school. Occasionally, by week four, I realize these were entirely misguided. The ones which don’t seem to work are usually the ones which go against what is naturally right for me. I’ve mentioned that last year’s resolution, which was essentially to be more stern, didn’t work so well. I’m a smiley person. I have to have a bit of a joke with students, or they can tell I’m just pretending. Undeterred, I continue to make resolutions.

1. Happy teachers

I love my department, both collectively and individually. I genuinely believe that teachers are better at their job when they are happy. For some people, happiness cannot be found within their particular school for one reason or another; and of course, some will always decide to move on. Yet I want to strive this year to ensure all teachers are as happy as they can possibly be. To me, that means supporting, rallying and knowing when to stop talking. It also means listening to concerns and needs, and changing practices which are causing unhappiness. This might sound overly simplified, but I do think it is that simple. Happy teachers, happy students, happy school. 

2. Empowered department

My department is amazing. They have the results to back it up, and should be shouting from the rooftops about their amazingness. There are many ways to empower a department, and I’m going to start with meetings. I have run too many department meetings. It is time to supportively delegate. I’m definitely not the last word on very many (any?) practices, and have learned so much from my colleagues already. I’d like to assess where we are at the start of the year, and then explore who is nailing it in areas we’re not all nailing it. For example, in my year 11 this year no child achieved an A in either language or literature. This is a first for me, and I’m worried about bringing my future students to that high level. Conversely, in one of my colleague’s classes, every single child achieved an A or A* in English Language. I’d like to know what she did, and I’m sure the whole department would.

3. 100%

I’ve written about 100% very many times, so it should come as no shock that I’d like 100% of our year 11 to achieve A*-C in English Language. Yes, I know that we really need to be aiming for Bs; yes, I know I should be thinking about Literature as well. But we need to begin somewhere, and this is where I will begin. The new year 11s are inevitably a different group, with different starting points. They are also tenacious, hard-working and committed. These attributes have long triumphed over “prior attainment”, and I see no reason why they cannot this year.

New teachers

Teaching is absolutely the best job in the world, but it doesn’t always feel like that. The first year of teaching was, for me, the hardest. Yet in a way it is almost the best: in no other time of your career will you go so far so fast. By the end of the year, you will seem to be decades ahead of where you began. Here are some of my tips for new teachers.

Fake it til you make it

No-one needs to know you’re a new teacher, and it can be helpful to forget this fact yourself. Cling to all your past experience, whether that be in your placement school for your PGCE, or your Summer Institute teaching practice with Teach First, or your TEFL experience, or even tutoring your sisters/brothers. It all counts in the big performance of not carrying your new teacher baggage with you. Pretend, pretend, pretend.

Learn their names and use them

With every new class, I have a clipboard with the seating plan. Within a week, the clipboard can go away. Consult it for every question asked, for every hand up, for every cold call. Use the students’ names as often as you can – it means a lot to a child that you have learned their name, and you will be surprised at how offended they will be if you mispronounce it, even by a syllable.

Call home to say nice things

My mentor used to make three positive calls on a Friday before going home – no matter how bad your week, this will make you feel better and pave the way for a more positive Monday. On my darkest days even now I will call home to five or six students to say “well done.” It is great for the student, but also reminds you: you have done a good job. Indeed, parents will often be magnanimous in assigning you as the cause of their child’s wonders – on a tough day, take the credit.

Praise three before sanctioning one

Your students come into the room, and inevitably the first thing you will notice is the one (two, five, seven) doing something wrong. The temptation is to immediately call out these students. In the early days, however, a wall of misbehaviour can feel overwhelming: if you call out one/two/five/seven and not the other one/two/five/seven (“it wasn’t only me!”) you can redouble your problems. Try praising three before calling out any. Lee Canter talks about “behaviour narration”: “I can see X is standing behind her chair”, “has taken his coat off,” “is ready to learn,” “is doing the right thing,” for three students will usually ensure you have far fewer to sanction as more and more fall into line, wanting you to say their name positively. Most students just want some attention. If they know you will give it for positive things first, they may well switch their behaviour.

Don’t back down

That said, you will need to sanction students. In the heat of the moment, I know I often ran to the wrong sanction; usually one too harsh for the crime committed. No matter – stick to your guns. You threatened a one-hour detention? They sit a one-hour detention. You know you were wrong and you probably won’t do it again, but if you back down or negotiate with students who have done something wrong they will not learn to respect you. That said, do use that hour to reassure the student that you know they can succeed. And remember: it’s not the severity of the sanction but the certainty. Three minutes of their lunch hour will hurt just as much (and you can get on with your life).

Mark books

At the start of the year, look at your free periods and when you see your classes and set out a marking schedule for yourself. If possible, give yourself at least a day – don’t try to turn around a set of books from Wednesday to Thursday, for example. Think about how big (or how demanding) your classes are and make a rota; so all things being equal I would mark year 7, 9 and 10 one week and then year 8 and 11, as year 11 will want your most brilliant marking prowess. (This is, of course, assuming you are an English teacher with a normal amount of classes.) When you take in books, ask students to turn to the page you last marked: this way, you can have the last target you set in the back of your mind, as well as saving valuable seconds (they really do add up) by not having to find the right page to start on.

Be yourself

When attempting to “fake it til you make it,” it can be tempting to emulate your mentor, or your own favourite teacher from school, or the scary teacher you wish you were (I have tried and failed at all of these). Students see through it. You have to be yourself. I find it really hard to not smile and have a laugh with students; in the early days I suppressed this and found myself called out as a classroom ogre. It didn’t feel right. You will find your own classroom personality, and it might not fit any of the preconceived ideas you have about what being a teacher is. No matter. No-one will be you.

Good luck!