This half term, the scheme of work for my ever delightful year 10 class is organised to produce a few pieces of coursework. The general idea is that they are exposed to a number of texts – poems, stories, news articles – and along the way they practice the key skills needed to complete the coursework. They produce so many pieces for no reason apart from variety – it lets them stretch their imagination.
This worked beautifully with year 10 last year, but I’ve noted before that my new year 10 class are in need of more. They need more exposure to the very greatest texts, with more challenge and more support at the very same time. Over Christmas, I decided that the only way I could make them write more eloquently was to make them read more eloquent writing. Poems and articles had to go – we were going to go all in for the short story.
What did they need from this term? The most glaring omission was vocabulary – they needed to know many, many, many more words. The texts I would choose would have to be complex. They needed to describe in more detail, and use more unusual images in their writing – I would tear my hair out if I had to read about one more “clear blue sky” or anything that was “shining like diamonds.”
The result is a lengthy scheme of work, which includes a few lessons excerpted below on F. Scott Fitzgerald’s story “The Rich Boy.” Last week, I sent the lessons to our resident NQT (who also happens to be one of the most accomplished teachers I’ve yet encountered – I feel like with every observation, she’s giving me CPD) who commented: “these are amazing.” (They’re not; she’s very generous.) “Did they take you ages to make?”
And honestly? They really didn’t. I think once I’d cracked the “planning formula”, every lesson became simple to plan. My wonderful first and second year mentor (who has taught me everything I know – I should definitely rename this blog: “What Carly told me about teaching”) told me the key steps to planning a lesson, and the order you do them in. I share this wisdom now.
1. Plan the learning objective
What do you want students to learn in this lesson? No, what exactly? Think about what they can realistically either learn, practice or revise in the time given.
2. Plan the key task
And in English, this should, with very few exceptions, be an extended paragraph. The question should invite them to show you what they have learned. For a long time, I pasted my objective onto this slide to remind me of this.
3. Plan the plenary
How will you check immediately, there and then, that they have understood? How will you address misconceptions? How will you extend the top end? How will you invite questions on the learning? How will you make students project their thoughts forward to the next lesson? A plenary should probably address one of these questions, depending on the specific context of your lesson in the scheme of work.
4. Plan the starter
This should be something every single student in the room can do immediately. It needs to be open enough to allow students to extend their ideas (there is no point in being halfway through the register and having seven students thumb-twiddling). Ideally, it should engage students’ thoughts. The harder the class, the more important this latter point becomes.
5. Plan everything else
What is the “stuff” that students will do between the start and end of the lesson to enable them to accomplish their writing task to a high level of competency? In the lessons below, this is reduced to: read. Learn the new words. Discuss the key questions. Review the key skills. More accomplished teachers than I will insert their exciting, bell/whistle moments here. I’ve never been good at this creative ilk of teaching, and almost all of my lessons are identical. (I tell myself this is good for students in a different way; the rhythm of my lesson will always be the same, giving them security and certainty. I acknowledge I should try to mix it up more.)
I’ve shared the series of lessons below. I’m not especially proud of them; they’re not my “best work.” But these are lessons that work, teach students new things, and did not take me any time at all to make. And, for an NQT in particular, that is vital.